This is the sad story of what happens if you get stubborn and work too long and until too late. There is a happy end though!
I had set out to create an open ring with 3 branches, carrying a flower, a large bezel set stone and a butterfly. It’s winter, so I’m dreaming about the warm summer days and hence chose a large citrine, a juicy green peridot and some warm gold to set off the silver.
Here the bezel is about done, the ring shank is roughly there, I have cut the flower from a piece of 1 mm sheet and I’ve happily laid out the stones that I was considering to use: A large, dark citrine, lucious peridots and perhaps a few yellow sapphires for good measure:
At this stage I wasn't entirely setteled on the finished design and kept myself open to changing the design I had in mind as I went. This is how I usually work and the result is usually quite good. Then I domed the flower, shaped the bezel conically and soldered it together.
After attaching the butterfly and filing off all surfaces of the ring shank, I soldered in the 5 little golden balls and set the peridot in the flower. Then I started setting the lovely citrine. And then disaster struck! I hadn’t filed the walls of the bezel thin enough, had to apply too much pressure to fit it over the stone – and BROKE it! I was almost crying! This stone was so special and I had saved it up for an equally special design :-(
Okay… after a few deep breaths and looking at the clock – I had now spent 13 hours in the workshop (yes, creating other stuff too) and it was 10 in the evening, I decided for a plan B: I cut off the upper brim of the bezel, freeing the damaged stone and filed it flush. Then I found a new stone, slightly smaller. I happened to have a light amethyst that would fit, so I cut new shoulders for it in the now smaller bezel. This time I didn’t want to make the same mistake and filed the sides very thin to make sure that the setting would be easy. Alas, I filed away too much, which became evident when I pushed the bezel over the stone – a crack formed along the edge, leaving the stone to rattle around. Now I was seriously almost crying!
But I just refused to let all this work being in vain, so I took a few pictures to remember the design:
And then I cut off the entire branch holding that unfortunate bezel. I smoothed the cut out to invisibility and repositioned the butterfly.
It’s a completely different ring, but after the initial disappointment, I started to value it for its own beauty. It’s simpler and the butterfly gets to play a more distinct role. When you wear the ring, the butterfly is hovering about 5 mm above your hand, while the flower appears to be nestled between two fingers opposite. I’m happy with it, but I will most definitely create a new version of the 3-branched original design, since it was more sumptuous –and I love sumptuous *grin*
And THEN to bed!!!
